While living in North Dakota years ago I was amazed at the societal standard of tidiness among the folks with Scandinavian and German background. Lots of Norwegians up there. And some pretty funny Ole and Lena jokes, but that’s a story for another time. This was a very different way of life than I’d grown up with here in the sunny Southwest. I missed the more relaxed atmosphere of New Mexico. But—those northerners sure got things like road work and construction done in a hurry with harsh winters breathing down their necks.
A friend spoke of how her Scandinavian grandmother used to take the furniture out of the house every spring. Yes, all the furniture. Then, they’d get buckets of shellac and big sticky brushes and re-coat every last piece in the front yard. When my friend inherited the lovely old furniture it had decades of shellac on it –she was pretty sure it was holding everything together.
Someone asked the other day if it was possible to shellac her face for the preservation qualities. Hah! No, don’t do that— age and wrinkles, grey hair are all part of the masterpiece.
Spring cleaning led to thoughts of art and what makes something beautiful. Recently I saw a photo and short essay on this subject that was so profound I’ve not been able to stop thinking about it. I’ve been unable to find it again but the gist of it is:
Written beneath a photograph of a beautiful young woman in her early 20’s is a challenge to the viewer to look at the human body as a blank canvas. When you see a baby, its skin is perfect and beautiful, a blank canvas. It is the living of life, the wonderful ordinary daily, the hardship, the joy and tears that create a one of a kind masterpiece on that human canvas.
No two works of art or human beings are alike and each tells a story.

I like rust. No, really, show me a nice shiny new something and an old rusty something and I’ll pick up the rusty one, gravitating to it even though it screams “tetanus shot!” Old rusty whatmacallits have a story to tell, a history all their own. Probably several. Who owned it, who invented it? What is it for? How many hands have held it, used it, where has it traveled?
My dear friend Maureen in Hawaii reminds me of the importance of “Talking Story.” This is a cultural thing not just in that lovely state but other places too. In fact, it is one of the things that makes us uniquely human. You can hear it visiting with farmers here in New Mexico, standing together, watching the irrigation water flow into the onion field and hearing the story of how their family came to this country four generations ago. You can see it in the eyes of the Native American man standing in his cool, shadowed room at the Taos Pueblo as he speaks of horse training and how the hot springs ease the aches and pains afterwards.